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In the early days of Indian cinema, the father-daughter relationship was often depicted in a traditional and conservative light. Fathers were typically shown as authoritative figures, while daughters were expected to be obedient and submissive. The 1960s and 1970s saw the rise of Bollywood films like "Mughal-e-Azam" (1960) and "Kisan Kanya" (1933), which featured fathers as strict disciplinarians and daughters as dutiful and obedient.