The album "Thriller" (1982) is a prime example of Michael Jackson's innovative use of multitrack recording. The album's production involved extensive use of multitrack recording, with Jackson and his team pushing the boundaries of what was possible in the studio. For instance, the song "Billie Jean" features a distinctive bassline that was recorded using a multitrack technique called "overdubbing." Jackson's bassist, Louis Johnson, recorded the bass part, and then Jackson himself overdubbed additional bass tracks, creating a layered sound that became a hallmark of the song.
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