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The film's cinematography, led by Janusz Kaminski, is breathtaking. The use of handheld cameras and desaturated colors creates a sense of realism and immediacy, drawing the viewer into the midst of the action. The editing, done by Michael Kahn, is equally impressive, with a narrative that flows seamlessly and keeps the viewer engaged.
The film's cinematography, led by Janusz Kaminski, is breathtaking. The use of handheld cameras and desaturated colors creates a sense of realism and immediacy, drawing the viewer into the midst of the action. The editing, done by Michael Kahn, is equally impressive, with a narrative that flows seamlessly and keeps the viewer engaged.