There is poetry in how Shira verifies: she treats contradictions as invitations rather than errors. An alibi that names two locations is an opportunity to explore movement; a witness who can't recall a face invites investigation into visibility — was the person obscured, or was memory edited by fear? In a cold case, she found that what everyone called "fog" in a witness statement was actually smoke from a bakery oven two blocks away; the bakery's shift log explained the smell, and once the sensory detail was resolved, the rest of the account reassembled differently. Small clarifications can rewrite culpability.